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He returned to the United States of America in 1939 where they offered to publish his whole output. “Jalousie” was born as an instrumental, but later in every country a lyric was written, according to their taste and commercial preference.
He began to compose country music, polkas and similar rhythms.
With a scarce capital he left hurrying up his fate.
In order enhance his musical knowledge he turned to maestro Max Schlüler, an important concert player.
Gade was already 30 and was too old to become a concert instrumentalist of classical music.
He started to work at small cafeterias and, about two years later, when he was only 18, he began to be connected with people who summoned him to play at an operetta in Frederiksberg, the night center of entertainment at that time.